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Description
Product Features
- 1920 x 1080 Touchscreen Display
- 10-Bit FRC Monitor Processing
- HDMI 2.0 and 12G-SDI Inputs/Outputs
- Quad-HD Live Switching & 5-Ch recording
- 1200 cd/m² Brightness, High Bright Mode
- ProRes Raw / Raw HQ via Select Cameras
- HDR Mode with 10-Stop Dynamic Range
- 4K up to 60p / 1080p up to 240 fps
- 10-Bit 4:2:2 ProRes & DNxHR Encoding
- Records to 2.5" Master Caddy Media
In the Box
- Atomos Sumo 19" HDR/High Brightness Monitor Recorder/Switcher
- Master Caddy II
- Power Supply
Overview
Sumo 19 records ProRes RAW
Unlock the true potential of your RAW cinema camera with the Sumo19. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo19 is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT. Record up to 4kp30 in CDNG.
HDR in the field and in the studio
HDR really comes to life on the Sumo19. It’s 19” 1920 x 1080 LCD panel with 10-bit processing takes the RAW/Log/PQ/HLG output from cameras or games consoles and precisely maps to display 10+ stops of dynamic range in real time. Use as a director or client monitor in the field, or an affordable HDR studio monitor.
Live quad channel HD switching and recording
Live switch four 1080p channels and record each as separate ISOs and simultaneously record your switched feed. Switch between feeds intuitively on-screen with hard cuts. Save space by replacing several boxes in your rack with a single Sumo 19.
10-bit ProRes/DNxHR up to 4Kp60
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.
Two stereo balanced XLR inputs with 48V
Use full size XLR connections with 48V Phantom power to connect two external microphones with balanced analogue audio recording and monitoring. The Sumo19 has dedicated meters, gain controls and adjustments for frame delay on each channel. Mic or line level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.
